Waves Maserati Vx1 Vocal Enhancer Torrent

Автор:

Tony Maserati on the VX1 Vocal Enhancer: “The VX1 is a compact package for full vocal control, whether you need to squeeze the most emotion from a subtle performance or get the vocal to sit just right in a large production. Maserati VX1 Vocal Enhancer Tony Maserati on the VX1 Vocal Enhancer: 'The VX1 is a compact package for full vocal control, whether you need to squeeze the most emotion out subtle performance or engulf it in a room with a full band production. This plugin has all the processing you need for Vocals.

When you visit any website, it may store or retrieve information on your browser, mostly in the form of cookies. This information might be about you, your preferences or your device and is mostly used to make the site work as you expect it to.

The information does not usually directly identify you, but it can give you a more personalized web experience. Because we respect your right to privacy, you can choose not to allow some types of cookies. Click on the different category headings to find out more and change our default settings. However, blocking some types of cookies may impact your experience of the site and the services we are able to offer.

Most of us can't afford to have Tony Maserati mix our tracks — but thanks to Waves, we can now use his personal effects and processing chains in our own mixes. I have, on occasion, suggested that music technology software might be made easier to use if it was approached from the musician's point of view rather than the engineer's. Waves have clearly taken steps in that direction with the Maserati suite of plug‑ins, developed in conjunction with award‑winning mixer Tony Maserati. Maserati has worked with artists as diverse as Black Eyed Peas, Beyonce, Alicia Keys, Macy Gray, Sting and David Bowie, and in March 2007's Inside Track feature (), he talked to SOS about his work on John Legend's 'Save Room'. Tony Maserati has his own favourite signal‑processing chains for specific applications, and what Waves have done is recreate those chains in software, bringing out only those controls that Tony would normally adjust during a session and leaving the rest hidden.

The result is that with just a handful of knobs and buttons, you can arrive at a highly produced guitar, bass, voice or drum sound very quickly. There's no clue as to what original hardware components are emulated in any of the plug‑ins or processing modes, but then that doesn't really matter: this suite of plug‑ins should be judged on its results. While stripping the controls down to a bare minimum may rob the more advanced user of some flexibility, the idea is that the sense of instant gratification you get as soon as you switch them into the signal path should more than make up for this. Running in native mode on both Macs and PCs, the Maserati Collection supports the native VST, AU, RTAS and Audio Suite plug‑in formats — there are no TDM versions.

Protection is via iLok. The load and save format is the same as with other Waves plug‑ins, as is the ability to create and compare A and B versions, but there are no factory presets as such. Mono‑in, stereo‑out and stereo‑in, stereo‑out versions of each plug‑in are available.

First up is the GTi Guitar Toner, which is a dedicated tool for polishing electric guitar sounds. The source guitar sounds can range from clean to overdriven, and the plug‑in can also be used to add colour and movement to electric pianos. The main thing to understand about this plug‑in is that it doesn't do guitar amp modelling or overdrive — it's there to allow you to polish the sound once you've recorded it, and this it does very well. GTi offers five modes, named Clean, Clean Chorus, Heavy, Thick Rhythm and Soft Flange. As with the other plug‑ins in the collection, some of the controls change as you switch modes, but the Sensitivity control is ever‑present. This is accompanied by a three‑colour signal light to help you optimise the input level (necessary for any dynamic effects to work correctly), a round retro meter that can monitor either the input or output level, and an output level control. If you can get the lamp showing amber but not red during louder sections you're pretty much set to go, though you can occasionally get desirable effects by running the plug‑in slightly hot or slightly cold.

All modes have Presence controls and all except Thick Rhythm have compression adjustment in the form of the Tame knob. In Thick Rhythm mode this is greyed out, while the FX section grows a second Presence control. The same control paradigm extends right through this range of plug‑ins; some controls are greyed out when not used in a particular mode, while some of the others change function.

Game trainer. ~ Save Location Numpad + ~ Teleport Numpad - ~ Undo Teleportation Home ~ Disable All Instructions: == - == - == - == - == - == Copy all files from the archive to the root of the installed game. Start first trainer, then the game.

• Riding in groups safely. • Passing other vehicles and being passed. Class 66 drivers manual.